Physicus music drivers#
The drivers are not bolted directly to the cabinet, but anchored securely through neoprene dowels in the enclosure. Our designers consistently continue their fight against micro vibrations. Vibrations that quickly lead to coloration in the sound are drastically reduced.
The porous and extremely rigid ceramic plates control the sound radiated inwards particularly efficient and utmost stabilize the loudspeaker enclosure. In the VIRGO III they largely replace classic absorbing materials, which as such consume a lot of space. This is made possible thanks to elements made of modern ceramic foam. This allows for a low cut-off frequency, the ideal prerequisite for reproducing the lows in a thrilling realistic manner. The VIRGO III has a remarkably large internal volume - without the external dimensions growing automatically. But low frequencies need cabinet volume, this is determined by physics. The key requirement for a VIRGO has always been to authentically reproduce music from a cabinet with dimensions that are suitable for private homes. Now it’s about time that the VIRGO III crowns this tradition. They play a central role in our AUDIO PHYSIC loudspeaker family. Tradition and modernity - for nearly 30 years our VIRGO loudspeakers have been highly regarded by music lovers as well as by German and international press. This is a prime example of how consistent work over the years can improve and optimize a speaker to the point that the result will captivate even the most critical music lover from the first note." - Alexander Aschenbrunner It has always been beautifully and lovingly build and now has been perfected in every detail. I’m experiencing music in exactly the way I love it: vivid, precise and spacious.In its third generation, the AUDIO PHYSIC VIRGO has truly matured. The essays contained here address fundamental questions of metaphysics, epistemology, and philosophical theology in Leibniz and Kant and address Kant's understanding and interpretation of his philosophical predecessor."I find myself in my personal musical dream world. This anthology further aims to create a dialogue between scholars of early modern philosophy and Kantians and to fill a lacuna in historical and philosophical scholarship.
Leibniz and Kant seeks to examine the relation between Leibniz and Kant by collecting essays written by some of the leading scholars of the history of modern philosophy, all of whom have in common a deep knowledge of both philosophers.
How did Kant understand Leibniz's philosophy? Did he correctly understand Leibniz's philosophy? Since only a portion of Leibniz's philosophical writings were published prior to Kant's critical period, is there a “true Leibniz” that Kant did not know? Are all of Kant's criticisms of Leibniz in particular and Leibnizian rationalism in general justified? Or does Leibniz have an answer to Kant's philosophy? Moreover, how should we understand the reception of Leibniz's philosophy in 18th-century Enlightenment Germany?
Physicus music series#
The European Society of Cardiology Series.Oxford Commentaries on International Law.